Shooting of the short film “Jour de fête” by Hamza Oujamaa. Marrakech, Morocco.

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Shooting of the short film “Heist” by Adil Bajmad. Marrakech, Morocco.

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Backstage of a shooting

During my cinematographic career, I have been able to participate in several shootings in different countries and socio-cultural settings. Starting in Chile, then France and lastly in Morocco, I have worked as a filmmaker in different roles associated with direction, film production and film edition. However, there is something outside these roles that has caught my attention, namely the chance to portray the whole process of making a movie through photographic stills.

I find it fascinating to record the work of a whole team which, quite often, has to work under pressure, is in a race against time and has to look for solutions for any problem that might appear. In addition to stressful times, there are breaks and other instances of distraction in which a picture of the team looking at the camera can help cheer up the crew.

These photographs correspond to the years 2018-2019 (Morocco) and 2019-2020 (Chile).

Shooting of multimedia project “Belogings” by Distill Studios, Newcastle, Australia.

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Shooting of multimedia project “Belogings” by Distill Studios, Newcastle, Australia.

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Shooting of multimedia project “Belogings” by Distill Studios, Newcastle, Australia.

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Shooting of the short film “TF2011” by Nour El Hayet Ben Abdallah. Marrakech, Morocco.

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Shooting of the short film “Jour de fête” by Hamza Oujamaa. Marrakech, Morocco.

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Shooting of the short film “Heist” by Adil Bajmad. Marrakech, Morocco.

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Shooting of the short film “TF2011” by Nour El Hayet Ben Abdallah. Marrakech, Morocco.

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Shooting of the short film “Jour de fête” by Hamza Oujamaa. Marrakech, Morocco.

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Shooting of the short film “TF2011” by Nour El Hayet Ben Abdallah. Marrakech, Morocco.

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Daniela Olivares, Art Director, at work. Santiago, Chile.

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Shooting of the short film “If I remember” by Fawaz Al atlassi, Marrakech, Morocco.

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Shooting of the short film “If I remember” by Fawaz Al atlassi, Marrakech, Morocco.

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Foto fija

En mi carrera cinematográfica he podido participar en varios rodajes de diferentes países y contextos socio-culturales. Comenzando por Chile, luego Francia y finalmente en Marruecos, me he desarrollado como cineasta en diferentes roles asociados a la dirección, producción y montaje. Pero hay algo fuera de esos roles que me he permitido hacer en el transcurso de estas experiencias, que es sacar mi cámara y retratar el proceso de creación de una película a través de la foto fija.

Me parece fascinante dejar registro del trabajo de todo un equipo humano, el cual muchas veces está bajo presión, contra el tiempo y buscando soluciones ante cualquier problema se presente. Además del estrés, están también otros momentos de pausa o dispersión, donde una foto saludando a cámara puede ayudar a relajar el ambiente.

Las fotografías corresponden a los años 2018-2019 (Marruecos) y 2019-2021 (Chile)

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